Please Read FIRST or SCROLL DOWN to SEE Sample, ICONIC, Classic Photos!
Prices, with each file name under photo:
8 x 10: $175 each (75 prints/edition), 11 x 14: $275 each (50 prints/edition), 16 x 20: $400 each (50 prints/edition), and 20 x 24: $650 each (20 prints/edition).
To Purchase for individual collector or LICENSE for editorial or commercial usage, scroll down. See BANDS List (for those not listed). Write me for ANY photo in my archive!
Paper info:
Each ARCHIVAL, Silver Halide Lightjet/Lambda color (printed on Kodak Endura Metallic archival paper/inks from color-corrected high-res scan of the original slide) or Silver Gelatin Fiber black and white print (hand-printed from the negative onto Ilford Multigrade Glossy Neutral Tone thick fiber paper) is hand-signed and numbered, with a signed certificate of authenticity.
Shipping Info:
Usually takes 3 to 4 weeks from time I receive payment until you receive print. Sometimes the time frame is less, but there might be a rush charge. Sent USPS Priority unless you want to pick up and I am available. (I'm LA westside).
Highlights from "PUNK PIONEERS," MY FIRST SOLO BOOK!!! Additional shots in the new " Encyclopedia of Punk,", " Live at the Masque" and "Bomp Records" books NOT posted yet.
[76-08-19-rampo10ajoey]
Joey Ramone, lying by SF pool, August 19, 1976.
[76-08-19-rampo11ajoey]
Joey Ramone sitting by SF pool, August 19, 1976.
[76-11-11-3a-pattisd]
Patti Smith glowing, San Diego, November 11, 1976. 
[76-11-11-4a-pattisd]
Patti Smith, glowing on her knees, San Diego, November 11, 1976.
[77-02-16-07-14-blondflrwh]
Debbie Harry, Blondie's LA debut at the Whisky, February 1977. First Blondie opened for Tom Petty (his Whisky debut too), then Blondie and Ramones a few days later. Whatta week!
[77-02-16-ramwh1-18]
Ramones triumphant return to LA, their Whisky debut, February 1977. 
[77-02-ramlt22joeykamen]
Joey Ramone and Kamen Rider, in LA's Little Tokyo, February 1977. 
[77-04-00-4-21-screambus]
Screamers at Gower Gulch (Sunset and Gower), THE site for early western films, spring 1977. A classic LA punk rock photo.

[77-04-01-1-01-cheriesmc]
Cherie Currie, Runaways, Santa Monica Civic Auditorium, April 1, 1977. 
[77-04-09-4-31-screambomp]
Screamers, Tommy Gear, KK Barrett, Tomata du Plenty, April 9, 1977, outside Bomp Records store, opening day. 
[77-07-08-1-41-patlarch]
Pat Smear, Germs, Slash magazine benefit, Larchmont Hall, July 8, 1977.
[77-08-21-05c-fashplezgun]
Alice Bag, future Go-Go Belinda, Hellin Killer and Pleasant Gehman, August 21, 1977.
[77-08-27-1-35-joanlitawh]Runaways Joan Jett and Lita Ford, Whisky, August 27, 1977.
[77-10-07-3-38-jamwh]
Jam LA debut, Whisky, October 7, 1977.
[77-10-15-1-17-plezrandy]Lobotomy magazine founders Pleasant Gehman and Randy Kaye, October 15, 1977, the Masque. MY photos were the ONLY credited photos in Lobotomy's debut! This have never been published. I hoped it would be in "Live at the Masque," so I didn't include it in my book. We miss dear sweet Randy!
[77-11-23-3-34-darbymasque]
Darby Crash, Germs, the Masque, November 23, 1977.
[78-01-17-1-42a-avengersmasq]
Avengers Penelope Houston and drummer Danny Furious, the Masque, January 17, 1978.
[78-01-17-4-23-randoms]
Randoms Rand McNally/Pat Garrett (a Dangerhouse Records founder), drummer KK Barrett of the Screamers and Dangerhouse Records and John Doe, X, January 17, 1978.
[78-09-00-10c-devobob]
Devo Bob Mothersbaugh, circa 1978 or so.
[79-03-18-1-26a-helindarby]
Hellin Killer and Darby Crash, Germs, Masque press conference, March 18, 1979, after the St. Patrick's Day Elks Lodge Massacre Riot.
[79-08-30-26c-xsdbr]
X, Exene Cervenka and John Doe, New Wave 1980 show, Stardust Ballroom, August 30, 1979.
[79-12-00-23c-germscc]
Darby Crash, Germs, Culver City Auditorium, December 1979.
[80-06-15c-clasheng]
Clash England, June 1980.

[80-06-clash-e01-15-joe]
Joe Strummer, the Clash, England, June 1980.
The above photos were displayed at La Luz (my live Clash was one of the few photos that sold at the small show!). La Luz posted our photos and my motto:
“I was a wild, rebellious, hedonistic artist who didn’t follow any rules. I didn’t shoot for money or fame or a career. I just shot what moved me. I knew this was a cultural revolution that had to be documented, no matter the personal costs. I dedicated my life to it” – Jenny Lens.
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